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price guide
works on paper
price range:
$1,500 to $3,000
painting
price range:
$850 to $5,500
printmaking
price range:
$280 to $800
mixed media
price range:
$850 to $3,000
favourite artists
Vida LaheyDavid Hockney
William Delafield Cook
contact
biography
Born in Melbourne.
education & training
| 2009-1999 | Part-time Fine Art Teacher TAFE, Lismore & Murwillumbah Campuses, NSW |
| 2008 | 4 week Residency Hill End, NSW |
| 2006-2002 | Co-Director and curator of c.a.s.e. inc @ Piece Gallery, Mullumbimby, NSW |
| 2004 | 3 week Residency, The June Hedditch Studio @ The Arts Co. Portland, VIC |
| 2003 | Radio Program...The language of flowers... ABC Radio North Coast. NSW |
| 1986-1988 | Teaching Secondary Art & Craft, Melbourne High Schools, VIC |
| 1979-81 | Teaching Secondary Art, Rural Victoria and Melbourne, VIC |
| 1975-1978 | Bachelor of Education, Arts and Craft, State College at Melbourne, VIC |
solo exhibitions
| 2009 | Iain Dawson Gallery, Sydney |
| 2007 | Emoh Ruo, Tim Olsen Gallery, Sydney |
| 2006 | The house beautiful, Lismore Regional Gallery, Lismore, NSW |
| 2004 | a rose is a rose....Portland Bay Press, Portland, VIC |
| 2003 | Sub rosa series, Piece Gallery, Mullumbimby, NSW |
|   | Sub rosa, Grafton Regional Gallery, Grafton, NSW |
| 1994 | From my life at home. Griffith Fine Art Gallery, Condong, NSW |
| 1992 | Connections, Cape Gallery, Byron Bay, NSW |
selected group exhibitions
| 2009 | Sulman Prize, Selected Finalist, AGNSW, Sydney |
| Mosman Art Prize Exhibition, Selected Finalist, Mosman Gallery, Sydney | |
|   | Salon Des Refuses, S.H.Ervin Gallery, Sydney |
|   | Industrialists, Group show, QDOS Gallery, Lorne, Victoria. |
|   | Hot In The City, Iain Dawson Gallery, Paddington, Sydney |
| 2008 | HOME, Selected Exhibition, Lismore Regional Gallery, NSW. |
| EMSLA, Still Life Award, Selected Finalist, Coffs Harbour Gallery | |
|   | JADA, Jacaranda Drawing Prize, Finalist, Grafton Regional Gallery, NSW. |
|   | ArtPost, ABC TV & Regional Arts, Web profile - http://www.abc.net.au/tv/artpost/ |
|   | Wish You Were Here, Friends Exhibition, Tweed River Art Gallery, Murwillumbah |
|   | Mosman Art Prize Exhibition, Selected Finalist, Mosman Gallery, Sydney |
|   | Solstice, a winter exhibition, Tim Olsen Gallery, Woollahra |
|   | Salon Des Refuses, Tweed River Art Gallery, Murwillumbah |
|   | 2 X 2, Tim Olsen Gallery, Woollahra |
|   | Salon Des Refuses, S.H.Ervin Gallery, Sydney |
| 2007 | Prometheus Art Exhibition, Selected Finalist |
| Come Hither: Interpretations of the Boudoir Wagga Wagga Art Gallery | |
| 2006 | x 25, Piece Gallery, Mullumbimby |
| AusGallery NSW, Australian Government Trade Commission DVD | |
| 2005 | Countryscapes 2005, Parliament of NSW Fountain Court Gallery, Finalist |
| Country Energy Art Prize for Landscape Painting, Grafton Regional Gallery | |
|   | JADA, Jacaranda Drawing Prize Exhibition, Wagga Wagga Regional Gallery |
awards & residencies
| 2008 | Border Art Prize, Open Second Prize, Tweed River Art Gallery, Murwillumbah |
| Quick Turnaround Grant, NSW Regional Arts | |
|   | Artist Residency Hill End x 4 weeks |
| 2007 | St Johns Art Festival, Open Prize |
| Southern Cross Arts Festival.Watercolour & Works on Paper. | |
| 2006 | NAVA Marketing Grant - exhibition catalogue |
| 2005 | Southern Cross Arts Festival. First Prize, Painting |
| Southern Cross Arts Festival. First Prize, Miniatures | |
| 2003 | Southern Cross Arts Festival. First Prize, Mixed Media |
| Pink Poodle Art Prize. C. Bond University Gallery | |
| 2002 | Southern Cross Arts Festival. H.C. Printmaking |
|   | Border Art Prize. Tweed Regional Art Gallery. H.C. Painting |
| 2001 | St Hilda's Festival of Arts. H.C. Painting |
|   | Southern Cross Arts Festival. First Prize, Painting |
| 2000 | Byron Easter Art Classic, Printmaking |
| 1998 | Byron Print Prize |
collections
| 2008 | Grafton Regional Gallery - Affordable Housing? |
| 2007 | Tweed River Gallery - Bungalow of Dreams |
| 2006 | Lismore Regional Gallery, Night in her Silence |
| 2005 | Lismore Regional Gallery, Light Imaginings and Roseate |
| 2003 | Grafton Regional Gallery, A Passionate Affair |
| 2001 | Erotica [ e ] Perfume Lismore Regional Art Gallery, NSW |
selected publications
| 2009 | Sunday Arts – ABC TV, 14th June, Episode 16. |
| The Sydney Morning Herald, Spectrum, Visual Art Review 14–15th March | |
|   | John McDonald, When losers are winners – Salon Des Refuse, pg17. |
| 2008 | Tweed Sun, 18 December, article & photo, pg 47 |
| Byron Shire Echo, 25 November,article & photo,pg 7,Jeff Dawson | |
|   | The Sydney Morning Herald, Spectrum, Visual Art Review,John McDonald, 8–9th November, pg17 |
|   | ArtPost, ABC TV & Regional Arts, Web profile – Photos & interview David Batty from Rebel films |
|   | http://artpost.abc.net.au/kickapps/_Robyn-Sweaney/video/356966/50484.html |
| 2007 | Radio National, By Design,Conversation, ‘House Painter’, 8 December, |
| http://www.abc.net.au/rn/bydesign/stories/2007/2111763.htm | |
|   | North Coast Arts Quarterly,Summer 08, article,Sonia Caeiro, pg16-16 |
|   | beyond region Book, reproduced,pg 115 LRG |
|   | November enews Regional Arts, article, Melitta Firth |
|   | Australian Art Collector,Issue 42,article,pg 178 Nick Watt |
|   | artReach Magazine , Spring Issue, article pg 6,Melitta Firth |
artist profile
The subject matter of my realist paintings is sourced from my immediate environment: the home and garden, and my local rural, vernacular landscape. In my painting practice I am trying to capture an essence of the familiar Australian landscape.
I have always been fascinated by other people’s houses. I am inspired by people who don’t particularly see themselves as artistic. Though outwardly many houses are generic, I am intrigued by the way people, in creative and resourceful ways, express themselves within the boundaries of their own environments. I am drawn to a subtle and quirky aesthetic: that which combines design elements of colour, symmetry, pattern and balance. Many of the homes and streetscapes I have painted are similar to those we have either lived in ourselves or have visited. They are distinctly Australian, with a familiarity and ordinariness, evoking strong feelings of place and memory. This unspectacular subject matter can be seen as mundane, yet is compelling.
"I first saw Robyn Sweaney's exquisite paintings when I was invited to a curatorial panel event by the Visual Arts Network and Arts Northern Rivers in 2006. What immediately enthralled me was Robyn's attention to detail and obsessive capturing of the scene's she surrounds herself with. The stillness of the works and the contemplation on these uniquely Australian dwellings work strongly on many levels. Firstly the paintings and drawings are aesthetically beautiful and incredibly evocative. Secondly, I'm increasingly fascinated by the subjects of these works, these wonderful houses, soon to be lost to the collective consciousness, superceded by the 'McMansions' of the new millenia. Robyn's works are a link to our heritage, our collective nostalgia for a simpler, less flashy world."
Iain Dawson, December 2008



