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Harmless Introduction
Porcelain and Twigs
12 x20 cm each
favourite artists
Gwyn Hanssen PiggotSally Smart
Patsy Hely
Louise Bougious
contact
Belinda Smith
biography
Born Melbourne, 1976.
education & training
| Queensland College of Art 2002-04 | |
|   | Bachelor of Design, Product Design |
|   | Brisbane Institute of Art 2004-05 |
|   | Ceramics |
|   | Royal Melbourne Institute of Technology 1996-97 |
|   | Diploma of Arts – Interior Design |
solo exhibitions
| Ivory Street 24/7 May 2009 Artisan, Brisbane | |
|   | ‘Cumulus’ |
selected group exhibitions
| 2009-10 | Paper Nov - Feb 2009-10 Kick Arts, Cairns |
| Group Show - ‘Cumulus’ | |
| 2009 | Ivory Street 24/7 May 2009 Artisan, Brisbane |
| ‘Cumulus’ | |
| 2008 | Paralle, Kiln Gallery, Brisbane |
| ‘Harmless Introduction’ and ‘Bound II’ | |
|   | International Women’s Day March Fourty Four, Darlinghurst |
|   | ‘Bound’ and ‘Stitched’ |
| 2007 | Many Hands UAP Group Show November Doggett Street Studio |
| ‘Bound’ and ‘Threaded’ | |
| 2005 | Unleashed Feb Craft Queensland |
| Porcelain Bowls | |
| 2004 | Departure November Queensland College of Art |
| Graduate exhibition | |
|   | Tokyo Designer’s Week October Shinjuku Tower |
|   | ‘Orange Dot’ |
collections
| Urbane Restaurant Brisbane (work in progress) 2009 | |
|   | ‘Herd’ |
|   | Queensland University of Technology, Old Government House Brisbane May 2009 |
|   | ‘Inflorescence’ |
|   | Brisbane Airport Commission, One Airport Drive Brisbane Sept 2008 |
|   | ‘Lightness of Air’ |
|   | Mater Hospital, Mater Mothers Hospital Brisbane 2007 |
|   | ‘From the boughs of the fig tree’ |
artist profile
The exploration of craft practices and design are central to my art practice. My public art and gallery works draw connections between the common, or vernacular, and our association with memory and experiences. Creation and construction methods form an integral part of the meaning and outcome of my artworks with pieces often possessing handmade, crafted details and repetitive elements. I often reference domestic crafts in my art practice, evoking individual memories and feminine forms.



